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“Lazarus,” one of the most anticipated anime of Spring 2025, is making waves not just with its futuristic story and visuals, but with its groundbreaking music.
What’s drawing even more attention is the star-studded lineup of global musicians contributing to its opening, ending, and insert songs.
In this article, we take a closer look at the artists behind the music of “Lazarus,” including track details and what makes each song so powerful and unforgettable.
- Full details on “Lazarus” anime’s opening, ending, and insert songs
- Insights into the global artists, including Kamasi Washington and Bonobo
- How the music connects thematically to the story of “Lazarus”
- Kamasi Washington Leads Lazarus Opening with “VORTEX”
- Ending Theme: “Lazarus” by The Boo Radleys
- Insert Song “Dark Will Fall” by Bonobo feat. Jacob Lusk
- Why the Music of “Lazarus” Is Getting So Much Attention
- Rakeruma’s Take 🎧
- Lazarus Anime Music Recap
- Frequently Asked Questions
- What Did You Think of Lazarus?
Kamasi Washington Leads Lazarus Opening with “VORTEX”
“Lazarus,” one of the hottest anime titles this spring, has also been turning heads for its bold musical direction.
At the center of this buzz is none other than jazz saxophone legend Kamasi Washington, who delivers a powerful opening theme titled “VORTEX.”
In this section, we’ll break down why he was chosen for the project and what makes “VORTEX” such a standout track.
Why a Global Jazz Icon Joined the Anime World
Kamasi Washington is globally celebrated as a modern jazz virtuoso, known for blending Afro-jazz, funk, and soul into an expansive and spiritual musical experience.
His involvement in an anime was unexpected and surprised both anime and music fans alike.
Behind this rare collaboration is the vision and connections of director Shinichirō Watanabe.
Having previously brought genre-defying music to anime classics like “Cowboy Bebop” and “Samurai Champloo,” Watanabe once again pushes the boundaries with “Lazarus.”
Given the show’s fusion of sci-fi action and philosophical depth, Kamasi’s music—bold, emotive, and layered—was a natural fit.
A Grand and Thrilling Track That Sets the Tone
The OP theme, “VORTEX,” lives up to its name. The track features swirling, complex rhythms and a sweeping soundscape that mirrors the chaos and urgency of the story’s world.
It amplifies the tension of the anime’s narrative, drawing viewers deeper into the unfolding drama.
One of the highlights is the synchronization of Kamasi’s saxophone with the visuals—an electrifying moment that blurs the line between sight and sound.
Though entirely instrumental, the piece conveys more than words could. Through pure sound, it expresses universal themes like life and death, rebirth, and hope.
“VORTEX” is not just a theme song—it’s a musical statement that expands the possibilities of what anime soundtracks can achieve.
Ending Theme: “Lazarus” by The Boo Radleys
The ending theme for “Lazarus” is a surprising but deeply meaningful choice: the 1993 hit song “Lazarus” by British rock band The Boo Radleys.
This isn’t just a nostalgic throwback—it’s a track that ties directly into the show’s core themes.
Let’s explore why this song was selected and how it resonates with the anime’s deeper message.
Why a 1993 Classic Became the Anime’s ED
“Lazarus” was originally released in 1993 as part of the album Giant Steps by The Boo Radleys, a band known for blending Britpop and shoegaze in innovative ways.
The track was ahead of its time, earning critical acclaim for its dreamy atmosphere and emotional intensity.
Its use in the anime’s ending was reportedly inspired by director Shinichirō Watanabe’s personal connection to the song.
He’s even said that the title of the anime, “Lazarus,” was directly lifted from this track, making it more than just a closing theme—it’s a spiritual anchor for the show.
By inserting a 1990s song into a futuristic setting, the anime creates a cross-generational dialogue that’s both poignant and fresh.
A Track That Inspired the Title
The word “Lazarus” comes from the biblical figure brought back to life—symbolizing resurrection, renewal, and hope.
This perfectly mirrors the anime’s themes of a dying world and humanity’s struggle for salvation.
As the ending credits roll, the emotional weight of the story lingers through this song, creating a sense of quiet reflection.
The visuals are minimalist and poetic, letting the song’s bittersweet tone take center stage.
Rather than a traditional “wrap-up,” the ED feels like a deep breath—a meditative moment to absorb the episode’s impact.
Decades after its release, “Lazarus” finds new life as part of this anime, carrying with it timeless questions and emotions.
Insert Song “Dark Will Fall” by Bonobo feat. Jacob Lusk
One of the most powerful moments in episode 1 of “Lazarus” is elevated by the stunning insert song “Dark Will Fall”, a collaboration between British electronic artist Bonobo and gospel-soul singer Jacob Lusk.
The scene where this track plays has already become iconic among fans—an unforgettable fusion of music and storytelling.
The Scene and Sound That Set the Tone
“Dark Will Fall” is used during a high-stakes sequence where the main characters learn of their inevitable death, setting the stage for the show’s core conflict.
Amid fast-paced visuals and a muted color palette, Lusk’s haunting vocals emerge with quiet power, enveloping the viewer in emotion.
The song captures sorrow, determination, and the weight of fate—all without overpowering the scene.
Rather than rely on lyrics, the atmosphere and texture of the sound itself communicate meaning.
It’s one of those rare anime moments where music speaks louder than dialogue, creating a lasting emotional imprint.
The timing of the track also hints at the darker themes that will unfold—subtly foreshadowing the battles to come.
The Power of Bonobo and Jacob Lusk’s Collaboration
Bonobo, known for his emotionally layered electronic soundscapes, brings his signature touch of ambient depth and tension to the track.
Meanwhile, Jacob Lusk—a gospel-rooted vocalist with a background in soul, R&B, and alternative—adds a voice that cuts straight to the soul.
Their collaboration produces a track that transcends genre and borders, fitting seamlessly into the world of “Lazarus.”
“Dark Will Fall” doesn’t just complement the anime—it stands alone as a fully realized musical piece.
This fusion of styles and talents elevates the emotional storytelling of the show to a new level.
Why the Music of “Lazarus” Is Getting So Much Attention
One of the biggest reasons “Lazarus” is gaining traction—beyond its story and visuals—is its outstanding musical lineup.
With internationally renowned artists contributing original tracks, the anime is being recognized as much for its sound as for its story.
Let’s take a look at the creative force behind this musical vision and what sets it apart.
Director Shinichirō Watanabe’s Ear for Music
Shinichirō Watanabe is no stranger to integrating music into anime at a world-class level.
His past works—like “Cowboy Bebop” and “Samurai Champloo”—are legendary not just for their animation, but for how their genre-defying soundtracks shaped the storytelling.
With “Lazarus,” he brings that same sensibility, curating a global selection of musicians from jazz to electronic to alternative rock.
This kind of lineup could only be achieved through Watanabe’s deep musical insight and international network.
He’s not just directing the story—he’s treating music as an equal narrative force, weaving it into the DNA of the show.
It’s this commitment that allows “Lazarus” to function not only as a work of animation, but as a complete artistic statement.
A Genre-Bending Sonic Experience
What makes the music of “Lazarus” especially compelling is its genre fusion.
Jazz provides depth and improvisation, electronica sets the tone and atmosphere, and rock injects energy—all blending to create a sonic world that feels both cinematic and emotional.
It’s not background music—it’s living sound, evolving alongside the characters and story.
For viewers, it’s like watching a film where the soundtrack doesn’t accompany the narrative—it drives it.
“Lazarus” pushes the boundaries of what anime can sound like, and in doing so, it sets a new benchmark for musical storytelling in the medium.
Rakeruma’s Take 🎧
Hi, I’m Rakeruma 🌸
Honestly? “Lazarus” blew me away—especially the music!
Kamasi Washington’s “VORTEX” gave me literal chills. It’s not every day that a jazz legend sets the tone for an anime.
I don’t usually listen to jazz, but this track totally pulled me in.
The ending song “Lazarus” is also incredibly emotional—it hits harder the more you hear it.
And that insert song by Bonobo and Jacob Lusk? 🔥 The vibes are immaculate.
Visually and musically, everything just clicks in this show.
The music drives the story, not the other way around. Every episode leaves me with this lingering, beautiful feeling…
If you’re into anime with strong soundtracks, this one’s a must-watch! 🎧
Lazarus Anime Music Recap
Top-Tier Music from OP to ED to Inserts
The opening theme “VORTEX” immediately grabs you with its weighty, immersive energy.
The Boo Radleys’ “Lazarus” brings emotional depth and lyrical symbolism to every ending.
And “Dark Will Fall” ties action and emotion together with haunting beauty.
Each track stands strong on its own but also seamlessly integrates with the story.
This level of precision and intention in music placement is rare—even in high-budget anime.
“Lazarus” Expands What Anime + Music Can Be
“Lazarus” is more than an anime—it’s a musical experience.
With fearless global artist collaborations and genre-crossing composition, it pushes creative boundaries.
It invites viewers to feel, reflect, and immerse themselves—not just in story, but in sound.
From soundtracks to potential live events, fans have every reason to stay excited about what comes next.
If you love anime that speaks through music, “Lazarus” should be at the top of your list.
- The OP “VORTEX” is performed by jazz legend Kamasi Washington
- The ED “Lazarus” by The Boo Radleys inspired the show’s title
- Episode 1 features the moving insert song “Dark Will Fall”
- All tracks are thematically and emotionally aligned with the anime
- Director Shinichirō Watanabe’s musical vision shines through
- The soundtrack blends jazz, electronica, and rock genres
- Music acts as a narrative driver, not just a background
- Global artists elevate the show to an international stage
- Fans are already anticipating the full OST and future releases
Frequently Asked Questions
- Q: Where can I listen to the OP “VORTEX”?
A: It will be available on major streaming platforms like Spotify and Apple Music. A full soundtrack is also expected to be released soon. - Q: What album is the ED “Lazarus” originally from?
A: It’s from The Boo Radleys’ 1993 album Giant Steps. - Q: Will “Dark Will Fall” be officially released?
A: Not yet, but fans are eagerly awaiting its inclusion on the upcoming soundtrack. - Q: In which episode does “Dark Will Fall” appear?
A: It’s used during the climax of Episode 1, titled “Goodbye Cruel World.”
What Did You Think of Lazarus?
How are you feeling about Lazarus so far? 🌟
Got a favorite character, moment, or track? Let us know in the comments below! 👇
If you enjoyed this article, share it with other anime and music fans—you might just convert a few new listeners 🎶
And don’t forget to check out our episode-by-episode reviews for even more in-depth coverage!